This magazine brings together a selection of my recent work centred on mirrors, distortions, inversions and the uneasy boundary between illusion and fact. I’ve always been drawn to images that disturb their own certainty, pictures that seem to insist on a second look. The pieces gathered here continue that pursuit: reflections that refuse clarity, bodies reimagined through optical interference, and ambigrammatic fragments that turn language into a puzzle.
Much of this work grew out of a period of intense experimentation. I began folding ideas into each other—mirrors into portraits, text into surfaces, physical objects into optical tricks—and the results often surprised me as much as anyone else. What I’m after is not simply a striking image but the moment when perception falters, when looking becomes a form of decoding.
For those already familiar with my photographs, this issue extends long-standing themes: the tension between revelation and concealment, the staging of desire, the interplay of narrative and artifice. For new readers, it offers an entry into a broader project—one that treats photography not as evidence, but as a tool for reordering the world.
The work does not demand belief, only attention. Everything else the images will do themselves.